49 designs. Point at one to watch it open, or scroll past it.
A type foundry’s specimen: your names in Bodoni at every size, a flower border in foil.
Your names as a dictionary entry, defined, with the wedding as the first meaning.
A dressmaker’s pattern on tan tissue, your names on the pattern piece and every line and notch printed.
Your wedding month as a fine calendar, the day circled by hand.
An architect’s drawing of a pavilion draws itself, rises in paper layers and lights up, your names on its frieze.
A painted map of the weekend. The camera travels from place to place as guests scroll, and the route inks itself.
A painted snow globe, your photo or your names inside the glass, the date on its brass plaque.
Hemstitched linen, two rows of fine drawn-thread work round the edge, your names in script like an heirloom napkin.
A Roman floor mosaic, a running wave of tiny stone tiles round a cream field, your names in Roman capitals.
A fine engraved horse and rider on heavy cream, your names in spaced capitals, one silk rosette.
A white plaster relief of roses and olive in raking light, your names cut into the smooth plaster.
An engraved toile wreath of branches, berries and songbirds with touches of gold, your names inside it.
A hand-carved block print of little flowers in rows, your names on a white panel in the middle of it.
A black and white photograph in a fine cream keyline on a deep olive board, your names in a formal script.
A traditional invitation, tone on tone, under a script monogram.
Norwegian rosemaling scrolls and flowers painted round a cream oval, your names inside it.
A fine Celtic knotwork border in ink, a sprig of heather at the top, your names inside.
Your photograph framed and hung on a gallery wall, a museum label beside it.
A page of sheet music in fine ink, your names sung as the lyrics.
Blue and white porcelain painted by hand: a ginger jar and plum blossom round your names.
A pieced quilt border in little calico prints, your names on plain muslin.
A Regency diamond border traced in gold, round a formal block of type.
A Greek key border and an olive sprig, your names in Roman capitals.
An original tartan woven in code, your names on a cream label stitched to the cloth.
French ticking stripes on linen, your names on a luggage label tied on with twine.
A double pinstripe border in a foil colour, your names in script.
The whole invitation as one paragraph, your names in italic.
A photograph of black Chantilly lace printed across the top and foot of the card, your names in Bodoni in the plain middle.
A pen and watercolour drawing of a white manor under two old oaks at the top, your names in capitals below.
A hand-coloured antique engraving of a bearded iris on the right, your names flush left in the open paper.
A bookplate drawn as a woodcut, oak leaves and acorns round a lamp between stacks of books, your names in the open panel.
The look of hand-marbled endpaper round a plain cream label, your names on the label.
Pointed-pen flourishes sweeping in from two corners of bright white paper, your names in script in the open middle.
An Italian villa among cypresses and pines, drawn like an old sepia etching, your names in the open sky above it.
A crest in the style of a copperplate engraving at the top, laurels round a blank cartouche, your names in tall capitals below it.
The title page of a small printed book, the year in Roman numerals.
Two columns, a hairline between them and a proper drop of air on top.
Warm and papery, like the invitation on the fridge.
Understated and traditional, with generous space and fine rules.
Pen and ink sketches of a long dinner around your names: coupes, oysters, candles and cake.
The look of a deckled sheet of handmade cotton paper on a coloured board, your names in spaced capitals.
Your photograph as a giant postage stamp on envelope paper, perforated edges and postmark.
Your photograph held by photo corners on an old scrapbook page, pressed flowers and stamps round it.
A stained glass window hung beside your names like a print in a gallery.
Hand-painted tin-glaze tiles, your names in the plain cartouche at their centre.
Polished marble under Roman capitals, in white, green, rose or black stone.
Copperplate toile around your names, printed in one ink on cream cotton.
Your names set in metal type, inked and pressed into a cotton card.
A clothbound book with your names in foil: the cover opens to your title page.
